Summer 2024 Wrap-Up
A surprising number of hits in the most stacked summer season since 2022
Note: I omitted “2.5 Dimensional Seduction” from this season’s review post since it hasn’t finished airing. Expect it to appear in my fall 2024 wrap-up.
With summer behind us and fall in full swing, it’s about time I release my ratings for the anime I watched this season. I thought spring was bad enough with the number of shows I was committed to, but summer 2024 ended up being super stacked. What’s even more surprising is that my average score for 2024 anime rose from 7.26 to 7.37, putting it just above 2023 but still lower than what my average was after the winter season (7.44). I’ll go into more detail about what I’m watching this fall at the end, but to keep it brief, I was a lot more selective this season when it came to choosing what shows to watch in terms of pure interest and personal reasons.
TL;DR If you’re only interested in my ratings:
New Shows
Makeine: Too Many Losing Heroines! - 8/10
Pseudo Harem - 8/10
Spice and Wolf: Merchant Meets the Wise Wolf - 8/10
Roshidere: Alya Sometimes Hides Her Feelings in Russian - 8/10
Days with My Stepsister - 8/10
Mission: Yozakura Family - 8/10
Senpai is an Otokonoko - 8/10
My Deer Friend Nokotan - 8/10
VTuber Legend: How I Went Viral after Forgetting to Turn Off My Stream - 8/10
Mayonaka Punch - 7/10
Atri: My Dear Moments - 7/10
Bokutsuma: My Wife Has No Emotion - 7/10
Dahlia in Bloom: Crafting a Fresh Start with Magical Tools - 5/10
Futakire: Love Is Indivisible by Twins - 4/10
Sequels
Oshi no Ko (Season 2) - 10/10
The Café Terrace and Its Goddesses (Season 2) - 8/10
SHY (Season 2) - 6/10
The Backlog
Bocchi the Rock! Movie - 9/10
Look Back - 8/10
Howl’s Moving Castle - 6/10
New Shows
Makeine: Too Many Losing Heroines! (A-1 Pictures)
Nukumizu Kazuhiko has always been content living life as a "background character," avoiding the spotlight and steering clear of drama. But his quiet existence takes an unexpected turn when he witnesses Yanami Anna, a popular classmate, get rejected by her childhood friend at a restaurant. Labeling her a "losing heroine," Nukumizu soon finds himself dragged into Anna's world, as she confides in him about her heartache. Before he knows it, Nukumizu becomes entangled in the romantic misfortunes of two other girls: Yakishio Lemon, a spirited athlete, and Komari Chika, a reserved bookworm. Thrust into the messy world of unrequited love, Nukumizu's once peaceful life is now filled with the complications of being at the center of "too many losing heroines."
My expectations were pretty elevated for “Makeine” after reading many comments from light novel experts glazing the series in the pre-season. And you already know how uneasy that makes me feel for any show with that kind of hype behind it. On the surface, it looked like another typical rom-com about an introverted guy surrounded by girls. But what I got was something entirely different—and in the best way possible. This show takes the traditional formula and flips it on its head, offering a refreshing perspective by focusing on the so-called "losers" in love: the girls who don't get the guy. Instead of being about a protagonist's journey to find love, “Makeine” is about how people grow after rejection. And I loved every second of it.
Nukumizu isn’t your typical rom-com lead. He's quiet, introverted, and wants to blend in the background. But fate has other plans. Nukumizu ends up witnessing the rejections of three girls, each with their own heartbreaking story, and finds himself offering them emotional support. What I appreciate about Nukumizu is that he isn’t actively trying to "fix" anyone. He’s just there—listening, giving advice when needed, and helping them process their feelings without ever stepping into the role of the romantic interest. It's a refreshing change from the usual rom-com protagonist who’s constantly entangled in love triangles.
One of the standout aspects of “Makeine” is how it handles the emotional weight of these rejections. Each of the three main girls—Anna, Lemon, and Komari—has her own story, and while they all experience heartbreak, their reactions and ways of moving on are completely different. Anna, with her bubbly and carefree nature, brings a lot of humor to the show, but her arc shows just how painful it can be to have feelings for someone you’ve known for most of your life. Her rejection is bittersweet, and instead of wallowing in self-pity, she continues to move forward. Lemon, on the other hand, has one of the more tragic stories. Her unrequited love for her childhood friend Mitsuki feels raw and painful, especially when we learn that he once had feelings for her too. Watching her come to terms with that reality was one of the most emotional moments of the series for me.
Then there’s Komari, the shy literature club member who has social anxiety. Her arc was the one I connected with the most. She’s awkward, unsure of herself, and feels out of place, but she’s also incredibly kind and thoughtful. Watching her navigate her feelings for her senpai, who already has a romantic interest, was both heartwarming and heartbreaking. What makes these stories so impactful is that they feel real. These aren’t the over-the-top, dramatic breakups we’re used to seeing in anime. They’re small, personal moments of loss that anyone who’s experienced unrequited love can relate to.
What really ties the show together, though, is the production quality. A-1 Pictures did an incredible job with the animation. The characters move fluidly, the backgrounds are stunningly detailed, and the voice acting brings an added layer of emotion to every scene. The soundtrack is equally strong, with some beautiful, character-specific ending themes that perfectly capture the mood of each arc. By the end of the show, I wasn’t just invested in the characters’ emotional journeys; I was completely immersed in the world they lived in.
“Makeine” was a pleasant surprise. It’s funny, emotional, and at times heartbreaking, but most importantly, it’s different. And in a genre that can often feel stale, it’s a breath of fresh air.
(Don’t tell Anna, but I don’t blame Sosuke for choosing Karen over her.)
Final Score: 8/10
Plot - 8
Protagonists - 8
Supporting Cast - 7
Genre - 8
Art, Animation, and Character Design - 10
Music, Sound Design, and Voice Acting - 8
Pseudo Harem (Nomad)
Kitahama Eiji, a high school second-year, dreams of living out the harem fantasies from his favorite manga, longing to be surrounded by adoring girls. When Nanakura Rin, a talented underclassman in the drama club, enters his life, she decides to make his wish come true—at least in her own way. Using her remarkable acting skills, Rin adopts a variety of personas, each more captivating than the last, playing the roles of Eiji’s ideal "harem" members. But as Rin continues to pour her heart into these performances, her true feelings for Eiji grow deeper, though he remains oblivious to her affection. As the boundary between her characters and her real self blurs, Rin faces a dilemma—will Eiji ever see the real her, or will she remain just another part of his imagined world?
“Pseudo Harem” sets itself apart from typical rom-coms by focusing on Rin’s persona-switching gimmick, where she takes on various character archetypes to entertain her senpai, Eiji. While this playful setup offers plenty of comedic moments, the heart of the series lies in how their dynamic gradually evolves into a heartfelt romance. The slow-burn approach works beautifully, thanks in large part to Saori Hayami’s exceptional voice acting. Her portrayal of Rin’s many personalities adds depth and charm, transforming the lighthearted premise into a more emotionally engaging story.
The art in “Pseudo Harem” uses soft pastel tones that give the series a pleasant and warm atmosphere, though the animation itself is fairly simple. It lacks the fluidity and intricate detail of more visually striking romance anime, which may leave some viewers wanting more from the visual presentation. The music follows a similar pattern, with an unremarkable opening theme and a decent but forgettable ending song. However, Hayami’s vocal performance carries much of the emotional weight, enhancing the experience despite the lackluster production value.
The pacing of the series is a bit uneven, with the early episodes leaning heavily on Rin’s character-switching gimmick, which starts to feel repetitive after a while. However, the show finds its footing around episode 7, when Eiji leaves high school. This shift adds depth to the relationship, introducing a more mature dynamic as the characters navigate their different stages of life. The portrayal of this separation by educational status gives the show a more grounded and relatable feel, reminiscent of anime like "My Love Story with Yamada-kun at Lv999."
Character development is another highlight of the series. Eiji starts off as oblivious to Rin’s feelings but gradually grows into someone more caring and aware, while Rin transitions from relying on her personas to express her emotions to being more open and vulnerable. The supporting cast, while initially underused, comes into play more prominently in the latter half of the show. Characters like Ayaka and Megu add depth to the story, though their impact could have been felt earlier on.
Overall, “Pseudo Harem” delivers a wholesome and satisfying romantic narrative. The decision to save the confession for the final episode adds emotional weight, making for a strong and memorable conclusion. While the show stumbles in its pacing and animation, its unique premise, heartwarming character development, and outstanding voice acting make it a must-watch for fans of slow-burn romances.
Final Score: 8/10
Plot - 8
Protagonists - 10
Supporting Cast - 7
Genre - 10
Art, Animation, and Character Design - 6
Music, Sound Design, and Voice Acting - 7
Spice and Wolf: Merchant Meets the Wise Wolf (Passione)
In a world steeped in medieval European influence, Kraft Lawrence, a seasoned traveling merchant, roams from town to town with hopes of one day opening his own shop. His life takes an unexpected turn when he encounters Holo, a wolf deity in the form of a young woman with ears and a tail. Holo, once revered as the goddess of harvest in the village of Pasloe, has grown disillusioned by the townspeople's shift away from their ancient traditions. Seeking to return to her northern homeland, she strikes a deal with Lawrence: in exchange for accompanying him on his travels, she will use her vast wisdom to assist in his trade ventures. As they journey together, they face both economic challenges and deeper questions of faith, trust, and companionship, all while navigating the ever-watchful eye of the Church. Together, they embark on an adventure that tests not only their skills in commerce but also the bond between man and deity.
“Spice and Wolf: Merchant Meets the Wise Wolf” offers a refreshing take on the fantasy genre, standing out not with grand magical battles or epic quests, but with a focus on economics, trade, and an intriguing relationship between its two main characters. As a newcomer to the franchise, I wasn’t sure what to expect, but this remake drew me in with its unique premise and captivating character dynamics.
The heart of the show is the relationship between Lawrence and Holo. Their chemistry is apparent from the beginning, with Holo’s sharp wit and playful banter bringing out a different side of the otherwise reserved and practical Lawrence. The balance they strike is a joy to watch. Holo, while prideful and cunning, isn’t just a wise deity—she’s someone who feels deeply, and her fear of loneliness humanizes her. Lawrence, on the other hand, constantly faces the pressure of financial ruin, and while he’s knowledgeable in trade, he makes mistakes that keep him grounded. Together, they support and challenge each other, building a relationship that feels organic and full of warmth.
What sets “Spice and Wolf apart” is its emphasis on economics and trade as central elements of the plot. It’s not often that you see an anime bury itself in business negotiations and trading strategies, but this show makes it engaging. While I did find some of the economic discussions a bit dense at times—sometimes requiring a visit to r/anime to figure out—it was worth the effort. The intricacies of these negotiations drive much of Lawrence’s character development and make the stakes feel real. His ability to rise from failure using wit and knowledge rather than brute strength adds a layer of realism rarely seen in fantasy stories.
Beyond the economics, the show’s world-building is a subtle but important element. The second half, in particular, begins to explore Holo’s origins and the church’s influence on the world. This gradual unveiling of the world’s lore hints at much more to come, and it kept me intrigued, even if it felt like the surface was only being scratched. Holo’s search for her homeland and her connection to the world’s mythology creates a compelling through line that I hope will be expanded upon in season 2.
Visually, the remake feels polished, with updated character designs and smooth animation that hold up well in the modern anime landscape. Holo’s character, in particular, is animated with great attention to detail, and her expressive nature shines through in every scene. The music enhances the emotional beats, and the opening and ending themes fit the tone of the series perfectly. Overall, “Spice and Wolf: Merchant Meets the Wise Wolf” is a slow but rewarding watch, blending romance, economics, and fantasy in a way that feels both refreshing and timeless. Whether you’re a fan of slow-burn romances or looking for something unique within the fantasy genre, this is a series that deserves attention.
Final Score: 8/10
Plot - 8
Protagonists - 8
Supporting Cast - 7
Genre - 7
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 8
Roshidere: Alya Sometimes Hides Her Feelings in Russian (Doga Kobo)
At Seirei Academy, Kujou Alya, a half-Russian, half-Japanese beauty known for her sharp wit and cold demeanor, has earned the admiration of her peers. Meanwhile, her desk neighbor Kuze Masachika, a laid-back, unmotivated classmate, seems content to go unnoticed. However, Alya often lets her guard down, teasing Masachika with playful remarks in Russian, unaware that he fully understands every word. Masachika, who learned Russian due to a childhood connection, secretly enjoys Alya’s hidden affection. As their lives intertwine, this odd pair navigates an unusual relationship filled with unspoken feelings, misunderstandings, and a deepening bond hidden behind foreign words.
“Roshidere” starts strong with its unique premise and character dynamics, particularly the quirky interactions between Alya and Masachika. The initial appeal lies in how Alya hides her feelings through Russian phrases, a gimmick that creates humorous and subtle tension. However, as the series progresses, the story begins to plateau, and the relationship between the two leads peaks early. While Alya’s tsundere personality and intriguing backstory are promising, she ultimately feels underdeveloped, especially when compared to Masachika, who offers more depth and interest as a character.
What truly carries the show is Yuki, Masachika’s energetic sister. Her playful “gremlin energy” steals the spotlight, infusing the series with humor and unpredictability. While it’s refreshing to see a supporting character like Yuki shine, her influence sometimes overshadows Alya. The show’s plot, centered around a low-stakes student council election, is elevated by the strong personalities of the cast, but some subplots—like the undercooked Suou family drama and Masachika’s first love—feel abruptly introduced and unresolved.
Visually, the anime impresses with solid animation and character designs, particularly Alya's. The use of multiple unique ending songs (including “Hare Hare Yukai” and “World is Mine”) adds a nostalgic touch for longtime fans of Japanese pop culture, though opinions on this approach may vary. Ultimately, “Roshidere” is an enjoyable, lighthearted rom-com that shines thanks to its characters, though it lacks the depth and originality to elevate it above other shows in the genre. With a second season already confirmed, the show has the opportunity to address its unfinished plotlines and further develop its loveable characters.
Final Score: 8/10
Plot - 7
Protagonists - 9
Supporting Cast - 9
Genre - 8
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 10
Days with My Stepsister (Studio Deen)
When Asamura Yūta's father remarries, he gains a new stepsister, Ayase Saki, the most admired girl in school. With both carrying emotional baggage from their parents' previous marriages, they agree to maintain a respectful distance, avoiding any unnecessary closeness or conflict. Saki, used to handling everything on her own for the sake of her family, struggles to rely on others, while Yūta is unsure how to connect with her as a sibling. Slowly, they begin to find comfort in each other's company, evolving from awkward strangers to supportive companions. As they navigate their new family dynamic, their bond deepens—possibly into something more than either expected.
"Days with My Stepsister" caught me off guard when I gave it a second chance. I initially put it on hold after three episodes because the pacing felt slow, but when I returned to binge the rest, I realized that the pacing was actually one of the show's biggest strengths. The show takes its time, allowing each moment to breathe, and by the end of each episode, it feels like only a few minutes have passed. This approach works well for a story that relies on subtle emotional progression rather than big dramatic turns. It’s the kind of slow burn that pulls you in without you even realizing it.
The story focuses on Yūta and Saki, two teenagers forced into a new family dynamic after their parents remarry. What sets this show apart is how it handles this relationship with care and maturity. Unlike other anime that treat step-sibling relationships as fodder for comedy or fanservice, this show demands to be taken seriously. The characters aren’t rushing into a romantic relationship; instead, they spend the series learning to understand and accept each other. Their hesitations and personal insecurities are believable, and the show doesn’t take shortcuts to their emotional development.
One of the most impressive aspects of “Days with My Stepsister” is its refusal to give in to easy resolutions. By the end of the series, Yūta and Saki acknowledge their feelings but choose not to act on them immediately. They understand that jumping into a relationship would create unnecessary complications for their family, and this choice adds weight to the finale. Their confession feels more like a step forward than an endpoint, a realistic acknowledgment that relationships are complicated and don’t follow a neat trajectory.
Visually, the show surprised me. Studio Deen delivered some truly striking scenes, particularly in how they framed the characters’ internal struggles. The use of lighting and shadows enhanced the emotional intensity of key moments, making the show feel more cinematic than your typical anime. The diary sequences were especially effective, offering a raw look into Saki’s thoughts without heavy-handed exposition. These scenes added a layer of intimacy that made the her journey feel personal and real.
“Days with My Stepsister” is a story about navigating complex emotions and family dynamics with a level of maturity not often seen in anime. The pacing may feel slow at times, but it’s this careful unfolding of events that makes the characters’ growth feel earned. Yūta and Saki’s relationship is one of subtlety and restraint, and the show excels in portraying the quiet moments that build their bond. It’s a unique romance in a season full of more conventional offerings, and I hope a second season will dive deeper into how their relationship evolves from here.
Final Score: 8/10
Plot - 8
Protagonists - 9
Supporting Cast - 7
Genre - 8
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 10
Mission: Yozakura Family (SILVER LINK.)
Asano Taiyo, a socially awkward high school student, finds solace in his childhood friend, Yozakura Mutsumi, after losing his family in a tragic car accident. His quiet world is shattered when he uncovers a shocking truth: Mutsumi belongs to a powerful family of spies, each possessing extraordinary abilities. Her overprotective older brother, Kyoichiro, sees Taiyo as a threat to Mutsumi’s safety and will stop at nothing to eliminate him. To protect Mutsumi—and save his own life—Taiyo is forced to marry her, binding him to the Yozakura family’s dangerous world. Now, as a newly-inducted spy-in-training, Taiyo must face countless threats while learning to navigate the treacherous dynamics of the ultimate spy family.
“Mission: Yozakura Family” was an unexpected delight, and after spending two consecutive seasons with this anime, I can confidently say it deserves more attention, especially from fans of the shonen demographic. This show takes the concept of a "spy family" and runs with it in a way that feels authentic to the title, offering something distinct from other spy-themed series. The familial bonds, the action-packed storylines, and the way each character's development fits into the bigger picture kept me hooked from start to finish.
Taiyo’s character arc is the most compelling part of the show. Watching him grow from an ordinary high school student into a capable spy is incredibly satisfying. You feel his struggles, his triumphs, and his stumbles along the way, and by the end, you’re rooting for him as he becomes a central figure in the Yozakura family. What makes Taiyo stand out is that his growth feels well-earned. His transformation isn’t just about him suddenly gaining powers or abilities; instead, it’s a slow burn as he earns the respect of his family through dedication and grit. Watching him go from someone who could barely keep up to someone who can protect his wife and new family was one of the highlights of the series. However, I did find Kyoichiro’s over-the-top obsession with Mutsumi to be grating at times. His unwillingness to acknowledge Taiyo as a legitimate part of the family until nearly the end felt drawn out and, frankly, unnecessary.
The romance between Taiyo and Mutsumi also stands out, but I do have some mixed feelings about how it was executed. On one hand, it's refreshing to see a married couple at the center of the story instead of the usual drawn-out “will they, won’t they” romance. However, there were moments where I wished the romance had taken more of the spotlight, rather than being used as a motivational tool for Taiyo during high-stakes moments. Their bond is clear, and you do feel their love, especially in the final episode during their wedding celebration. It’s just that, at times, it felt like their relationship was sidelined in favor of more action sequences.
The animation is solid, but not spectacular. There are a few standout scenes where the animation really shines (e.g., Blooming activation), but for the most part, it’s consistent without being mind-blowing. The soundtrack, too, is well-suited to the action and romantic moments. I loved the opening and ending themes, which added a lot of character to the show. It’s unfortunate that this series hasn’t received the recognition it deserves due to its limited availability on Disney+/Hulu, but for those who can access it, it’s definitely worth watching.
“Yozakura Family” may not be the most revolutionary shonen series, but it succeeds in delivering a well-executed combination of action, family, and spy thriller elements. The characters are likable, the action is engaging, and Taiyo’s growth feels earned. If you can suspend some disbelief for the more fantastical elements of the underworld, you’ll likely find yourself invested in the Yozakura family's story. I’m looking forward to seeing where the second season will take us.
Final Score: 8/10
Plot - 8
Protagonists - 9
Supporting Cast - 8
Genre - 7
Art, Animation, and Character Design - 7
Music, Sound Design, and Voice Acting - 7
Senpai is an Otokonoko (Project No.9)
Hanaoka Makoto is a high school student admired for his elegance and beauty, but there's a secret beneath his feminine appearance—Makoto is a boy who cross-dresses, much to his mother's dismay. When Aoi Saki, a bold and confident classmate, confesses her love to Makoto, she is unfazed by the revelation of his true identity and vows to make him fall for her, even if he doesn’t feel the same. Things take an unexpected turn when Makoto's childhood friend, Taiga Ryuji, reveals his own feelings, turning the situation into a complicated love triangle. As Makoto navigates his friends’ affection and his own insecurities, he must learn to embrace his identity while figuring out where his heart truly lies.
After finishing “Senpai is an Otokonoko,” I can confidently say this series is one of the more refreshing and emotionally impactful LGBTQ narratives in recent anime. While it’s not without its flaws, the show presents a nuanced exploration of gender identity, societal expectations, and the personal struggles of its characters in a way that feels real and grounded.
Makoto is a boy who enjoys wearing traditionally feminine clothing, and his journey of self-acceptance is what really drives the show. What impressed me most was how these issues are tackled without resorting to over-the-top drama or spectacle. Makoto’s mother, who’s emotionally abusive and intolerant of his crossdressing, creates a difficult home life, but instead of turning her into a one-dimensional villain, the series offers a more layered portrayal. However, it’s frustrating that no one ever fully confronts her for her behavior. By the end of the show, she hasn’t even apologized, and it’s hard to ignore the lack of closure when it comes to her relationship with Makoto. There’s an idea that the abusive mother can simply be "won over" with a heart-to-heart, but I wish there had been more recognition of how hurtful her actions were.
Another critique of mine revolves around how the show handles Ryuji’s feelings for Makoto. Ryuji spends much of the series in a state of internal conflict, dealing with his attraction to his childhood friend. While the show does a great job at showing his self-doubt and the internalized homophobia he battles, I was disappointed that nobody reassures him that his feelings are valid. He’s a character who offers so much support to both Makoto and Saki, yet his own emotional needs seem to be neglected by the story. By the time the focus shifts away from Ryuji in the final episodes, it feels like his arc is left unresolved, which is a shame considering the groundwork laid earlier.
I also had mixed feelings about the show's use of a chibi art style during comedic moments. Initially, it felt like a creative choice to visually differentiate lighter moments from the heavier drama, but as the episodes went on, it started to feel a bit excessive. It almost came across as a shortcut to avoid animating certain scenes fully, which took me out of the story at times.
But even with my critiques, I still recommend watching “Senpai is an Otokonoko.” It’s a compelling exploration of LGBTQ youth and their experiences, and while not every thread is tied up neatly by the end of the series, there’s a movie on the horizon that will hopefully address some of these lingering issues. For anyone interested in coming-of-age stories, this anime is well worth the watch.
Final Score: 8/10
Plot - 8
Protagonists - 9
Supporting Cast - 6
Genre - 8
Art, Animation, and Character Design - 6
Music, Sound Design, and Voice Acting - 7
My Deer Friend Nokotan (WIT Studio)
Koshi Torako (“Koshitan”), a high-achieving second-year student at Hino Minami High School, hides a rebellious past behind her flawless image as a model student. Everything changes when she meets Shikanoko Noko, an eccentric new transfer student who turns out to be a deer in human form. Despite her reluctance, Koshitan is drawn into Shikanoko’s world, becoming the president of the Deer Club. As she navigates bizarre situations with Shikanoko and tries to keep her past from surfacing, Koshitan's carefully constructed life teeters on the edge of chaos, leading to both comical and heartwarming moments in her quest to protect her reputation—and sanity.
“My Deer Friend Nokotan” was set up to be a standout in the Summer 2024 season, with its viral marketing campaign and absurd premise drawing comparisons to some of the best comedy anime. From the moment the OP hit social media, it was clear the show was positioning itself as the next big thing. And for a moment, it felt like it could live up to those lofty expectations. The show's commitment to its brain-rotting absurdity, complete with nonsensical gags and fourth-wall breaks, certainly appealed to a specific kind of viewer. For me, the humor—centered around Koshitan being gaslit into accepting Nokotan's antics and the repeated rice cracker jokes—worked for most of the season, though I understand how others might find it wearing thin. The dynamic between the two leads had charm, and their relationship added a nice emotional undertone to the otherwise chaotic comedy.
One thing that stood out was the adaptation’s choice to shuffle the manga’s original chapter order. Introducing supporting characters like Anko and Bashame earlier on felt like a strange decision, and while it gave the cast more chances to interact the pacing at times felt uneven. I’m not sure if this approach was necessary, but it did add some variety to the humor, which might have grown stale faster otherwise. Despite this, I do wish the supporting cast played a larger role in the latter half of the show.
On the technical side, WIT Studio’s animation went above and beyond, delivering an impressive level of quality for a comedy, while the music—especially the viral OP—was a standout, and I found myself replaying it constantly.
In the end, whether you love it or not depends on how much you’re willing to buy into its absurdity. It’s not for everyone, but for those who enjoy a show that feels like a TikTok fever dream, “My Deer Friend Nokotan” might just be your next obsession. The humor is hit-or-miss, but for me, it worked more often than not. While it may not go down as an all-time classic, it’s a fun and memorable addition to the Summer 2024 season with a guaranteed cult following.
Final Score: 8/10
Plot - 7
Protagonists - 10
Supporting Cast - 7
Genre - 8
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 9
VTuber Legend: How I Went Viral after Forgetting to Turn Off My Stream (TNK)
Tanaka Yuki, a 20-year-old VTuber at Live-On, is known for her elegant and refined persona, Kokorone Awayuki. Despite her efforts, she struggles to stand out in the competitive VTuber world. One fateful night, Yuki forgets to end her stream, and her viewers catch a glimpse of her true self—rowdy, irreverent, and hilariously unfiltered. To her surprise, the accidental reveal sends her popularity skyrocketing. Embracing her new "no-holds-barred" image, Yuki leans into her natural personality and quickly rises through the ranks, discovering that success is much more fun when she can be her authentic self.
As a fan of VTubers, “VTuber Legend” hit all the right notes for me. While I can see it being a hard sell for those unfamiliar with the VTubing scene, the show excels in capturing the humor, energy, and quirks that make this subculture so appealing. For anyone deeply immersed in the fandom, the explicit jokes, offbeat censorship, and irreverent tone perfectly reflect the chaotic charm of real-life VTubers.
One thing that stood out to me initially was the decision to keep the VTubers in their costumes even during their real-world interactions, while everyone else was rendered as 2D cardboard cutouts. It felt strange at first, but after reflecting on it, I realized it symbolizes the dissonance between their online personas and real-life identities. This artistic choice cleverly underscores how VTubers exist in a space where their true identities often remain unknown, even to their colleagues.
While I appreciated the show's lightheartedness, I wish it had explored more of the darker aspects of VTubing, like burnout or harassment. There was one moment where Awayuki was forced to move due to a disgruntled fan confiscating all the StroZero in her area, which gave a glimpse into the dangers VTubers face. However, these issues weren’t explored deeply, likely due to the overall tone of the show.
The finale, featuring a 3D CG concert, was a fantastic tribute to real-life VTuber concerts. Although the animation was a bit stiff, it felt like an accurate portrayal of these events. Having attended Hololive’s Breaking Dimensions concert myself, I can attest to the fact that “VTuber Legend” nails the look and feel of these concerts. The closing homage to pioneering VTubers like Kizuna Ai was a heartfelt nod to those who made VTubing what it is today.
Overall, “VTuber Legend” is a show that VTuber fans will love, but it may be a tougher sell to outsiders. If you’re familiar with the world of streaming and VTubers, the humor and character dynamics will resonate deeply. I personally hope for a second season, but even if it doesn’t happen, this was a thoroughly enjoyable ride.
Final Score: 8/10
Plot - 7
Protagonists - 8
Supporting Cast - 7
Genre - 10
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 7
Mayonaka Punch (P.A. Works)
Sonoue Masaki's career as a rising NewTuber takes a nosedive after an impulsive punch gets her booted from the popular Harikiri Sisters group. Desperate to salvage her reputation, she crosses paths with Live, a vampire with a peculiar craving — Masaki’s blood. The two strike a bizarre deal: if Masaki can help Live go viral and amass one million subscribers, she’ll let the bloodsucker feast. In a race against time, they team up to create outlandish content and navigate the chaotic world of online fame. Will their unconventional partnership lead to success, or will Masaki's second chance get canceled?
“Mayonaka Punch” was an unexpected surprise for me this season. While it certainly delivered on the comedy front, it also touched on deeper themes like online harassment, self-worth, and the emotional strain that comes with living in the public eye. The series turned out to be a much more engaging and layered experience than I initially expected.
From a visual standpoint, “Mayonaka Punch” is impressive. The pastel color palette gives the show a vibrant energy that’s easy on the eyes, and the nighttime scenes were well-lit without falling into the common trap of being too dark to follow. The designs of the vampire characters stood out for their simplicity and charm, each with a unique look that reflected their personalities. Additionally, the way NewTube comments and livestream chats were seamlessly incorporated into the visual flow of the show added a nice touch of realism and connected the fictional world with modern-day digital culture.
Masaki’s character will likely be polarizing for many, and I found her tough to get behind at first. She’s abrasive, selfish, and makes terrible decisions, especially in the early episodes. However, as the show progressed, I found myself appreciating the layers of her personality that gradually unfolded. Her struggles with online hate, portrayed visually through suffocating comment sections and her anxiety, were a particularly striking element of the show. The scenes where Masaki wrestles with feelings of isolation, even as she grows MayoPan, felt very true to life for anyone familiar with the pressures of internet fame.
The dynamic between Masaki and the vampires—Live, Fu, Ichiko, and Tokage—also provided plenty of comedic gold while adding emotional complexity to the story. The vampires themselves are full of fun quirks, and while their antics kept the tone light, the show managed to find moments where their own backstories revealed something deeper. Fu’s story, where she had to part ways with Aya to hide her vampiric nature, really stood out to me. It was one of the rare moments where the show slowed down and gave some emotional insight, nearly bringing me to tears. Moments like these grounded the show and gave it more meaning than your average comedy series.
That being said, there were some elements that didn’t quite hit the mark. The soundtrack, for example, felt a bit lackluster and generic. There were several moments where a more impactful score could’ve elevated the emotional stakes, but the music often felt like an afterthought.
The reconciliation between Masaki and the Harakiri Sisters also fell flat for me. Their apology scene, which took place in a restaurant, felt underdeveloped and lacked any real resolution. After so much buildup surrounding their fallout, the resolution felt rushed and unsatisfying. Additionally, the final episode introduced a flashback showing Masaki’s first encounter with Live, which I thought was an important piece of the story that should’ve been introduced earlier. By placing it after the credits, it felt like another afterthought than a meaningful reveal.
Despite these few issues, I enjoyed “Mayonaka Punch” overall. It’s not just a fun, vampire-centric comedy; it’s also a show that manages to explore the mental toll of online fame and how difficult it can be to find a path forward after being canceled. While Masaki starts off as a character you might not root for, the show succeeds in making her journey toward redemption compelling. The way it combines humor with emotional moments, particularly in the relationships between Masaki and the vampires, sets it apart from other comedies this season. It’s not perfect, but it’s an anime that exceeded my expectations and left me wanting more.
Final Score: 7/10
Plot - 7
Protagonists - 8
Supporting Cast - 7
Genre - 6
Art, Animation, and Character Design - 7
Music, Sound Design, and Voice Acting - 6
Atri: My Dear Moments (TROYCA)
In a future where much of civilization lies submerged beneath rising seas, Ikaruga Natsuki returns to his coastal hometown after years of hardship, only to find it partially claimed by the ocean. Struggling with the loss of his family and the weight of his grandmother's debts, Natsuki’s only hope lies in a dangerous expedition offered by a shrewd debt collector named Catherine. Together, they search the sunken remains of his grandmother's laboratory, hoping to uncover a rumored treasure. Instead, they discover Atri, a highly advanced robot with human-like emotions. Grateful for her rescue, Atri pledges to help Natsuki by fulfilling her master’s final order, and in doing so, she becomes an unexpected companion in his life. As the sea encroaches, an extraordinary summer unfolds between a boy and a robot in a world on the brink of change.
When I watched “Atri,” I was left with a mixed bag of emotions. It’s a show that promises an exploration of humanity through the lens of a human-robot relationship, but while it captures some touching moments, it doesn’t quite deliver on its grander, sci-fi elements. The anime splits itself into two distinct parts: the first six episodes focus on a light slice-of-life vibe, building up relationships among the characters, while the latter half dives deeper into the romantic bond between Natsuki and Atri. For the most part, this structure works, but I found myself wanting more, especially from the world-building and the conclusion.
One of the major issues for me was how the sci-fi aspects felt sidelined. Initially, the series teases a world threatened by rising sea levels, and we get a glimpse of a cataclysmic disaster that could wipe out humanity. However, instead of exploring the implications of this in depth, the show turns its focus almost entirely on the romance. I wanted to see more of the world beyond the small island where the characters live. The stakes didn’t feel as high as they should have been, and by the end, I found it hard to take the threat seriously when the global crisis only played a backdrop to the romance. For example, Atri becomes central to saving the world in the final episodes, but I couldn’t fully understand why it had to be her. That unanswered question left me feeling unsatisfied.
Natsuki’s relationship with his grandmother also stood out as problematic. She’s portrayed as harsh and unreasonably strict, which never felt fully explained or justified. Her role could have added more emotional depth to Natsuki’s character, but instead, she came off as unnecessarily cruel. Likewise, the villainous figures who show up to try and recall Atri felt poorly developed. They seemed like they existed just to push Natsuki to defend Atri and to underline her humanity, which was a convenient plot device more than anything else. Their presence never felt menacing or impactful enough to add tension to the story.
In terms of the romance, I have mixed feelings. I couldn’t help but compare Atri to “Plastic Memories,” another anime that tugs at your heartstrings with a similar human-android romance. In “Atri,” the emotional connection between Natsuki and Atri never hit quite as hard. While the series handles its melodrama well, particularly in episodes where Natsuki grapples with the realization that Atri’s emotions are rooted in an algorithm rather than true feeling, I just didn’t feel the same emotional weight. The time skip in the finale also felt rushed. The show throws a 70-year jump at us with little time to process the consequences of Atri’s sacrifice. It felt more like a quick wrap-up than a satisfying conclusion.
“Atri” is a decent watch. While it doesn’t quite live up to the promise of its world or sci-fi premise, it offers a solid, if somewhat underwhelming, love story. It’s not a bad anime, but it’s not something I would go out of my way to recommend either, especially when there are stronger visual novel adaptations out there. If you’re looking for a simple, emotionally driven romance with some light sci-fi flavor, it’s worth a look. But if you’re hoping for something that digs deeper into its world and premise, you may walk away feeling like it missed the mark.
Final Score: 7/10
Plot - 7
Protagonists - 9
Supporting Cast - 7
Genre - 7
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 7
Bokutsuma: My Wife Has No Emotion (Tezuka Productions)
Kosugi Takuma is an overworked office employee who struggles to keep up with the demands of his daily life. To ease his burden, he buys a secondhand housekeeping robot named Mina, whose efficiency transforms his home. One night, after a long day and a few drinks, Takuma jokingly suggests that Mina should marry him. To his surprise, Mina takes the comment seriously, and their bond gradually deepens as they begin to live more like a married couple.
However, their unconventional relationship faces scrutiny from society, as human-robot romances are seen as outlandish. Together, Takuma and Mina must confront these challenges, questioning whether their growing feelings can transcend the boundaries between human and machine.
“Bokutsuma” may not have left the best first impression on many viewers, but after watching all 12 episodes, I believe it deserves more credit than it gets. The premise—exploring the relationship between a human, Takuma, and his robot housekeeper, Mina—might sound like a pure escapist fantasy at first, but it surprised me with its depth and heart. What I initially expected to be an awkward romance of convenience instead evolved into a touching story about the blurred lines between humanity and technology. Mina starts off as a simple, emotionless robot, but over time, she develops her own emotional nuances, showing signs of affection and even jealousy. Her gradual growth from being kind because she "has to" into being kind because she "wants to" makes her character arc far more compelling than I anticipated.
The world-building in this show was a pleasant surprise. Unlike the usual AI-dystopia narrative, “Bokutsuma” presents a society where robots are seamlessly integrated and embraced, not feared. This unique take kept me engaged, and I appreciated the slice of life approach that allowed the relationship between Takuma and Mina to develop organically. Their interactions were sweet, if sometimes awkward, and I found myself rooting for them, especially as Mina started to understand emotions and form her own desires. The supporting cast, including Super Mina and Mamoru, added personality to the show, and while I wish Takuma’s sister, Akari, had a bigger role, the focus stayed rightly on the bond between Takuma and Mina.
In terms of production, the show isn’t anything groundbreaking. The animation is decent, and while I wasn’t too fond of Takuma’s design, it wasn’t too distracting. That said, Mina’s robotic expressions were well-executed, subtly showing her evolution over time. The music, however, was a real highlight for me, with Hololive VTuber Tokino Sora’s upbeat opening and the melancholic ending theme (sung by Shimizu Miisha) providing a perfect contrast. All in all, while “Bokutsuma” may not be the first anime I’d recommend to newcomers, it’s a solid and surprisingly heartfelt watch for seasoned fans of rom-coms and sci-fi. It might not be the best or the worst, but if you go in with an open mind, there’s a lot of charm to be found here.
Final Score: 7/10
Plot - 7
Protagonists - 7
Supporting Cast - 7
Genre - 6
Art, Animation, and Character Design - 6
Music, Sound Design, and Voice Acting - 8
Dahlia in Bloom: Crafting a Fresh Start with Magical Tools (Typhoon Graphics, Imagica Infos)
After a life of relentless work, a young woman is reborn as Dahlia Rossetti, the daughter of a renowned magic artificer in a world where magical tools shape everyday life. As she grows up, Dahlia inherits her father’s passion for invention and magic, but her path is far from smooth. Her world crumbles when her father suddenly dies, and her engagement is called off by her fiancé, leaving her alone and heartbroken. Yet, Dahlia refuses to give up. With the memories of her past life and newfound allies, she rises from the ashes to forge her own future, determined to become a master artificer and take control of her destiny. In a journey of self-reliance and magic, Dahlia’s greatest creation may just be herself.
If "mid" were a genre, “Dahlia in Bloom” would most certainly fall into that category. The early episodes showed promise by introducing an interesting protagonist, Dahlia, who navigates a series of personal setbacks to start her own business as a magic artificer. Unfortunately, despite a strong foundation, the show fails to live up to its potential as the episodes progress.
The most glaring issue is the animation quality. While it wasn't incredible to begin with, by the final episode, it became nearly unbearable to watch. Characters frequently looked off-model, and the sheer number of still shots was frustrating. Inconsistent shadows, stiff expressions, and abrupt cuts made it difficult to stay immersed in the story. A repeated establishing shot of a windowsill, with leaves that never moved, symbolized the lack of effort in the visuals. This sort of lazy direction kept taking me out of the experience, especially when coupled with the poor editing choices.
The story also suffered from pacing issues. The first few episodes introduced engaging drama, but after Dahlia clears her initial hurdle, the plot stalls. Her success feels unearned, as her connections, largely thanks to her late father, solve most of her problems for her. Watching her rise to prominence with so much help didn’t feel satisfying, and it left the show feeling directionless. What could’ve been a compelling journey of self-reliance and business-building instead felt more like a passive sequence of events.
There were also missed opportunities in terms of world-building. Although the show is set in a fantasy realm with magic, it never truly dives into the intricacies of the magic system or the broader world. The concept of crafting magical tools had so much potential, yet it often felt secondary to tedious business dealings. Dahlia’s skills seemed to solve problems too easily, and rather than facing meaningful obstacles, she breezes through with little consequence.
Finally, the romance subplot between Dahlia and Wolfred had potential but felt underdeveloped. Their chemistry was undeniable, but the relationship never fully blossomed, leaving me wishing for more substantial development. It seemed like the story was hinting at something romantic, but the constant avoidance of a clear resolution was frustrating.
Overall, “Dahlia in Bloom” had some bright spots, but between the lackluster animation and lack of narrative momentum, it’s hard to recommend it.
Final Score: 5/10
Plot - 5
Protagonists - 6
Supporting Cast - 6
Genre - 3
Art, Animation, and Character Design - 4
Music, Sound Design, and Voice Acting - 7
Futakire: Love Is Indivisible by Twins (ROLL2)
Shirasaki Jun never expected his quiet life to turn into a whirlwind of emotions, but that’s exactly what happens when he finds himself in the middle of a complicated love triangle with the Jinguuji twins—his childhood friends. Rumi, the confident and tomboyish older sister, hides a surprisingly tender side, while her twin, Naori, is the epitome of cute with a passion for all things otaku. When Rumi breaks up with Jun, it sets off a series of heartfelt and confusing moments that make Jun question not just his feelings, but the very nature of first love. Can he sort through his emotions and find where his heart truly lies?
“Futakire” was an exercise in frustration from start to finish. What started as a seemingly promising love triangle between fraternal twins Rumi and Naori, and their childhood friend Jun, quickly devolved into a slow-burning trainwreck with no payoff. By the time the show concluded, almost nothing had changed from the first episode, leaving me wondering why I stuck with it for twelve episodes. The lack of character growth, paired with endless melodrama, makes this one of the most aggravating romance anime I’ve seen.
The initial episodes showed promise, with the potential for a more mature take on the twin love trope. Rumi and Naori, both clearly attracted to Jun, were set up for what could have been a nuanced exploration of sibling rivalry and romantic tension. But instead of meaningful interactions, the show opts for constant back-and-forth between the sisters. Jun is passed around like an emotional trophy, with each twin taking turns trying to win him over. The endless cycle of indecision, regrets, and miscommunication completely wears out the premise and makes the entire plot feel like a slog.
Jun is, without a doubt, the weakest link. His inability to make a decision is the engine driving this whole mess, and it’s infuriating. The show never gives him a chance to grow or assert himself, instead trapping him in the middle of Rumi and Naori’s power struggles. He doesn’t have any remarkable qualities that would justify the twins’ ongoing obsession, and his passivity only serves to drag the story down further. I found myself constantly waiting for him to step up and put an end to the nonsense, but that moment never came.
Rumi and Naori are both flawed characters in their own ways. Rumi initially comes off as the more respectful and caring sister, but her decision to break up with Jun out of pity for Naori, only to later try to win him back, makes her hard to sympathize with. Naori, on the other hand, is a manipulative character who uses guilt and seduction to keep Jun in her grasp. The bathroom scene in the final episode solidified my dislike for her—crossing boundaries and manipulating Jun into uncomfortable situations isn’t something I can overlook. Both sisters contribute to the toxic dynamics of the love triangle, making it impossible to root for any of them.
The absence of adult guidance in the lives of these characters is especially noticeable. Jun and the Jinguji twins are left to fumble through their mess of a relationship without anyone stepping in to provide clarity or advice. The parents are merely plot devices, pushing the trio closer together, rather than offering any real support or insight. Had an adult figure taken the time to actually listen and guide them, perhaps some of the unnecessary drama could have been avoided.
What saves “Futakire” from being a total disaster is the supporting cast. Characters like Moriwaki (“The Professor”), Reira, and Shiena bring a refreshing energy to the show. They have far more charm and chemistry than the main trio, and their scenes offer brief moments of relief from the frustrating love triangle. If anything, their presence highlights just how insufferable Jun, Rumi, and Naori are, as the side characters’ level-headedness contrasts sharply with the endless drama unfolding between the leads.
Visually, the show does its job, but it isn’t impressive. The animation holds up, though there are several moments where characters appear off-model, which becomes more noticeable as the show goes on. Additionally, the tone of the opening and ending themes feels mismatched with the heavy melodrama that the story constantly leans into.
“Futakire” left me exasperated and disappointed. The main characters are insufferable, and the plot loops endlessly without ever offering any satisfying resolution. Although the supporting cast provides brief moments of levity, their presence can’t compensate for the central trio’s dysfunction. For a genre filled with more thoughtful takes on relationships, this show doesn’t come close to delivering the depth or emotional complexity found elsewhere.
Final Score: 4/10
Plot - 3
Protagonists - 5
Supporting Cast - 8
Genre - 3
Art, Animation, and Character Design - 6
Music, Sound Design, and Voice Acting - 4
Sequels
Oshi no Ko (Season 2) (Doga Kobo)
Hoshino Aqua's thirst for vengeance intensifies as he immerses himself in the shadows of the entertainment industry, all while supporting his twin sister Ruby's rise to stardom as an idol. Ruby is determined to follow in their late mother Ai's footsteps, while Aqua has a different mission—uncover the identity of their father, the man responsible for orchestrating Ai's tragic death. To do so, Aqua infiltrates a prestigious theater troupe, a key part of his father's past.
As Aqua takes on the role of Touki in a stage adaptation of the popular manga “Tokyo Blade,” he works alongside his girlfriend Kurokawa Akane and rising star Arima Kana. However, tensions arise when Akane struggles with her role due to fan expectations and differences between the play's script and the original manga. While these challenges unfold around him, Aqua remains singularly focused on his mission: get closer to director Kindaichi Toshirou and uncover long-buried secrets about Ai's murder.
The second season of “Oshi no Ko” was nothing short of spectacular. I went into this season with high expectations, and by the end, I was completely blown away. Doga Kobo took what was already a brilliant premise and elevated it with breathtaking visuals, masterful storytelling, and some of the best character development I've seen all year. My complaints, as minor as they are, pale in comparison to how much I enjoyed this season. For me, it’s easily a 10/10.
The Tokyo Blade arc is the highlight of the season, and it didn’t disappoint. Seeing the series tackle stage play was refreshing, as it’s not often we get to see anime focus on theater, let alone with this level of detail. The rotating 2.5D stage and creative camera perspectives gave the production a unique flair, making the viewer feel like part of the audience. The series didn’t just present a show within a show, it immersed us in the emotions, the technicalities of acting, and the sheer passion of the cast.
One standout moment for me was Melt’s character development. I'll admit, I wasn't the biggest fan of Melt going into this, but the episode that focused on him was a pleasant surprise. The creative ways Doga Kobo animated his emotional awakening during the play were some of the most impressive scenes in the entire season. It showed that even a seemingly unimpressive actor like Melt could shine when given the right motivation. That said, I still wish Akane and Kana had received the same level of love and focus. While their arcs were powerful, especially in how Akane idolized Kana and how Kana rediscovered her own passion, I couldn’t help but feel that Melt’s spotlight came at their expense. These two girls are essential to Aqua’s journey and deserved just as much attention.
Speaking of Aqua, his emotional arc in this season reached new heights. While the revenge plot took a backseat, the deep exploration of Aqua’s trauma and guilt from his mother's death was incredibly compelling. Seeing him use his grief to enhance his acting, even at the cost of reliving his pain, added layers to his character. Aqua's complex relationship with Akane and Kana was another highlight, as the show balanced the evolving emotional dynamics between them with Aqua's larger quest for revenge. Akane’s character continued to surprise me, as her own journey through acting brought her closer to understanding Aqua's motives.
By the time the season shifted focus to Ruby, I knew we were in for something big. The final two episodes were some of the most intense I’ve seen in anime. Ruby’s discovery of sensei’s body and the dark transformation of her character gave me chills. The shift in her eyes, from bright and hopeful to dark and filled with vengeance, was visually stunning and a perfect encapsulation of the emotional weight this series carries. Ruby’s development is something I’m eagerly looking forward to in the next season, and Doga Kobo’s handling of the manga panels in these moments was phenomenal.
Overall, this season was a tour de force in character exploration, animation, and storytelling. Even if you're not invested in the original murder mystery, the show excels at depicting the complex relationships and psychological struggles of its characters. Season 2 has firmly solidified “Oshi no Ko” as one of my favorite anime, and I’m beyond excited to see what’s in store for season 3.
Now, enjoy a compilation of some of my favorite shots from season 2 (of which I’ll be using as desktop wallpapers).
Final Score: 10/10
Plot - 10
Protagonists - 9
Supporting Cast - 10
Genre - 10
Art, Animation, and Character Design - 10
Music, Sound Design, and Voice Acting - 10
The Café Terrace and Its Goddesses (Season 2) (Tezuka Productions)
Kasukabe Hayato continues to manage Café Familia while dealing with the romantic advances of the five waitresses who live with him. When a rival café opens nearby, Hayato and the girls face the challenge of keeping Familia afloat amidst the competition. As they work together, romantic tensions rise, and the bonds between Hayato and the waitresses deepen, with each of them revealing more about their pasts and their ties to his late grandmother. Amidst these challenges, Hayato is forced to confront his feelings and decide on the future of both the café and his relationships with the girls.
The second season of “The Café Terrace and Its Goddesses” builds on the groundwork from season 1, introducing new twists and expanding on the characters’ development. While Akane, Riho, and Shiragiku remain at the forefront of the romantic rivalry, Ami and Ouka finally get their moment in the spotlight. Ami, previously seen as mostly comic relief, now has a more fleshed-out backstory, making her a more serious contender for Hayato's affection. Ouka also gains more attention through her family dynamics, which adds more depth to her character. Although some viewers may still draw comparisons to “The Quintessential Quintuplets,” season 2 begins to establish its own identity, especially with the introduction of a rival café that helps drive both the story and character growth.
The rival café adds a new dynamic, with each of its girls acting as foils to the Familia crew. Rather than overpowering the main five, characters like Mao, Moemi, and Ririka complement the original cast, allowing them to develop further while maintaining the fun harem atmosphere. The competition heats up, giving each girl her time to shine, with more emphasis on their backgrounds and their connections to Hayato and the future of the café. These new characters breathe fresh life into the story, energizing the rom-com without detracting from the core humor and ecchi moments, which are cranked up this season.
What makes season 2 stand out is how much the plot and characters progress. Hayato’s choice to leave university and fully dedicate himself to the café marks a pivotal turning point, signaling a new phase for the series. The season skillfully balances humor, romance, and more in-depth storytelling, while still delivering visually appealing scenes. The stronger narrative and character arcs make this season a significant step forward, leaving fans excited for what could come next.
Final Score: 8/10
Plot - 8
Protagonists - 8
Supporting Cast - 8
Genre - 10
Art, Animation, and Character Design - 7
Music, Sound Design, and Voice Acting - 8
SHY (Season 2) (8bit)
After her intense battle with the enigmatic Amarariruku, Momijiyama Teru, also known as the hero Shy, returns to Japan to resume her everyday life. As she continues to grapple with the responsibilities of being a hero, Teru slowly builds her confidence while learning the true meaning of heroism. One day, she encounters Tennouji Ai, a runaway from a secretive ninja village, who has her own mysterious agenda connected to Teru's ongoing mission. As the two form an unlikely bond, a new crisis emerges—a massive black sphere engulfs Tokyo. With the stakes higher than ever, Shy must rally alongside other heroes to rescue Tokyo and face the looming threat of Amarariruku once again.
“SHY” season 2, which covers the Tokyo Recapture Arc, focuses on Shy’s growth as a hero, but much of the emotional weight this season comes from the Tennoji sisters, Ai and Mai. Their backstory, filled with tension, sisterly love, and conflict, was far more engaging than what we saw in season 1 with Tzveta and Spirit. I found myself invested in their story, but I also felt there were too many flashbacks that bogged down the pacing. The show could have conveyed the same information with fewer of these scenes and still kept the same level of detail.
One major issue I had with season 2, which carried over from Season 1, was the power imbalance between the heroes and the antagonist group, Amarariruku. At times, it felt like the heroes were completely outmatched, and while that can build tension in an action-packed shonen anime, here it made the battles feel almost unwinnable. The motivations behind Amarariruku’s actions also felt vague and a bit edgy for my taste, making it hard for me to take them seriously as villains.
In terms of production, the quality hasn’t improved much since the first season. The animation is solid but unspectacular, and I couldn’t help but notice the reuse of visual elements in the opening theme. It felt lazy to me, and I didn’t find the new opening or ending songs memorable either. It’s a shame because good music can elevate even an average season, but that wasn’t the case here.
The supporting cast, aside from Ai and Mai, didn’t stand out to me either. Even Teru, who’s supposed to be the heart of the show, felt overshadowed by the Tennoji sisters. Her growth as a hero is still slow and lacks the sense of urgency or progression that I’d expect two seasons in. Additionally, the world-building is still thin, and I find it odd that we’re this deep into the story with so little understanding of how the heroes and villains operate on a larger scale.
Season 2 has its moments, especially in its focus on the Tennoji sisters, but many of the same issues from season 1 persist. The power dynamics feel off, the production feels uninspired, and Teru’s development is still too slow for my liking. While I liked this season more than the first, I’m not sure if it’s enough to keep me invested for another season.
Final Score: 6/10
Plot - 7
Protagonists - 5
Supporting Cast - 7
Genre - 6
Art, Animation, and Character Design - 7
Music, Sound Design, and Voice Acting - 4
The Backlog
Bocchi the Rock! Movie (CloverWorks)
Gotou "Bocchi" Hitori is a socially anxious and introverted high school girl who dreams of making friends and becoming a rock musician. After spending her middle school years practicing guitar in isolation and posting videos online as "Guitar Hero," she still struggles to connect with others. Just when she’s about to give up on her dream, Bocchi is invited by the energetic drummer Nijika Ijichi to join her band, Kessoku Band, after their guitarist quits. Together with the cool bassist Ryou Yamada and eventually their runaway guitarist Ikuyo Kita, Bocchi begins to break out of her shell. Despite an awkward start, the girls find joy in performing together and work hard to improve their music, growing as both musicians and friends while making the most of their high school days.
After watching “Bocchi the Rock!” recap movie, I walked out of the theater with my belief reaffirmed—this is likely my greatest anime of all time. The recap movie, split into two parts, each being 90 minutes, condenses a lot of material, and it's especially noticeable in the first half, where they squeeze the content of eight episodes into a short time frame. It’s obvious that sacrifices were made to fit everything, but the result is still quite enjoyable, despite the omissions.
The movie opens with a cold open of Nijika apologizing to Bocchi for roping her into Kessoku Band, and then we dive into Bocchi’s reflections as “guitarhero” online. Right off the bat, it becomes clear that this movie has a tighter focus on the music, while some of the comedic gold that made the series shine is left behind. The music scenes were great and the songs played during montages worked well, but I did miss some of the original dialogue, especially since a lot of the humor that made the show stand out gets sidelined in favor of pacing. A few jokes don’t land quite as hard without the full context, but that’s a small price to pay for keeping the movie moving.
One thing to note is that this movie is definitely not a replacement for watching the full series—if you haven’t seen it, a lot of the charm behind the characters gets lost. Key side characters, like Seika and Kikuri, hardly get screen time, which is understandable given the format. Nonetheless, it still feels like something is missing.
However, the final act of the movie is where it truly shines. The film sticks closely to episodes 9 through 12 here, keeping some fan-favorite moments like Bocchi’s polygon crash and Kita’s "Moe Moe Kyun" sequence. These scenes hit so much harder when viewed on the big screen with a theater full of fans. But the true highlight for me was the performance of "If I Could Be a Constellation." Watching Bocchi improvise when her guitar string broke, and seeing Kita cover for her, was a touching and emotional reminder of why I fell in love with this series in the first place.
Being in the theater with a mix of longtime fans and newcomers, many of whom had been dragged by their friends, was such a treat. It made me realize just how much this show has to offer, even to those who might normally stick to mainstream action anime. There’s something special about this story that deserves wider recognition, and I think more people need to give it a chance. It’s relatable, filled with heart, and seeing it again was such a refreshing experience after not watching it since it aired in 2022. This recap movie will certainly tide me over until CloverWorks releases a second season, hopefully around 2026.
If you’ve already seen “Bocchi the Rock!,” the recap is a great way to relive those iconic moments, especially with an audience. But if you’re new to the series, I highly recommend watching the full show first—you’ll get so much more out of it.
Final Score: 9/10
Plot - 7
Protagonists - 10
Supporting Cast - 7
Genre - 10
Art, Animation, and Character Design - 10
Music, Sound Design, and Voice Acting - 10
Look Back (Studio DURIAN)
Fujino, a talented and outgoing fourth-grader, is known for her fun and popular manga contributions to the school newspaper. Her confidence is shaken when Kyomoto, a reclusive classmate, submits beautifully detailed artwork that outshines her own. Consumed by jealousy, Fujino becomes determined to surpass Kyomoto’s skill. However, over time, she grows disillusioned and gives up on manga entirely. An unexpected meeting on graduation day brings the two face-to-face, sparking a new understanding of their shared passion for art, which leads to life-altering consequences for both.
“Look Back” was a film that left a big impression on me, far exceeding my expectations. Going into it, I didn’t know much about the story beyond a brief synopsis and had no experience with Tatsuki Fujimoto’s other works like “Chainsaw Man.” What I found was a beautifully crafted and emotionally stirring film that explores themes of art, regret, and human connection in a thought-provoking way. The story is about two young girls, Fujino and Kyomoto, who bond through their shared passion for manga, but it quickly becomes something much deeper—a meditation on the choices we make, the things we leave behind, and the lasting impact of our creations.
The film’s emotional weight is largely carried by its depiction of the relationship between Fujino and Kyomoto. At first, their rivalry drives the plot, as Fujino tries to outdo Kyomoto’s seemingly superior artistic skill. But as the two grow closer, the film shifts into a more introspective story about their creative journey and the bond they form through their art. Early on, I had a feeling that something tragic was going to happen, and when it did, “Look Back” handled it with grace and subtlety. The decision to strip away the soundtrack during the reveal of Kyomoto’s fate was one of the most impactful moments in the film. The silence in that scene was deafening, and even though I wasn’t moved to tears, the emotional weight hung heavy in the theater. You could feel the collective sadness of the audience; the only sound I could hear was the soft weeping of the people sitting behind me.
Studio Durian’s animation is a standout element. The characters don’t move with the polished precision seen in many modern anime, but that’s exactly what makes the film feel so human. The imperfections in the animation—the way lines seem to breathe and shift—are a deliberate choice by the director, who wanted to preserve the roughness to convey the emotion behind the art. A particularly memorable scene is when Fujino, after receiving praise from Kyomoto, skips joyfully through the rain. Her carefree movement and the lively animation made that moment feel incredibly real, a perfect example of how “Look Back” uses its art style to heighten emotional moments.
The film’s pacing is another aspect that impressed me. At just over an hour, it manages to feel much longer, allowing time for quiet reflection without overstaying its welcome. The way time passes in the film is represented beautifully through motifs like the changing seasons and the gradual accumulation of manga pages in Fujino and Kyomoto’s workspace. These subtle details emphasize the fleeting nature of time, showing how quickly life can move when we’re focused on our goals and how easily we can overlook what truly matters until it’s too late. It’s a film that asks you to pause, to look back (no pun intended), and to appreciate the moments you have before they slip away.
Haruka Nakamura’s soundtrack is the perfect complement to the film’s tone, with its melancholic piano and string compositions reflecting both the brightness of youth and the sorrow of loss. While the music doesn’t stand out on its own outside the context of the film, it works beautifully within it, especially in key moments like the train scene where Kyomoto thanks Fujino for getting her out of her room. The soft, bittersweet score amplifies the emotions of the characters without overwhelming the scenes.
“Look Back” is a remarkable film that goes beyond being just a one-shot manga adaptation. It’s a story about two girls and their love for creating art, but it’s also a reflection on regret, the passage of time, and the connections we form along the way. Studio Durian’s decision to preserve the raw, imperfect animation style enhances the emotional depth of the story, and the film’s quiet yet powerful pacing allows its themes to resonate long after the credits roll. Whether you’re an artist or simply someone who has experienced the pain of loss or the joy of creation, “Look Back” offers a deeply moving experience that will stay with you for a while. I’m incredibly glad I saw it in a theater, where its emotional impact was felt even more profoundly.
Final Score: 8/10
Plot - 8
Protagonists - 7
Supporting Cast - 5
Genre - 8
Art, Animation, and Character Design - 9
Music, Sound Design, and Voice Acting - 8
Howl’s Moving Castle (Studio Ghibli)
Sophie Hatter leads a quiet life working in her family’s hat shop, content with her routine and expecting little excitement. However, her world is upended when she crosses paths with the mysterious wizard Howl, known for his magical abilities and rumored to be a heartbreaker. After a jealous Witch of the Waste curses Sophie, transforming her into an old woman, she embarks on a journey to find a way to lift the spell. Boarding Howl’s moving castle, a marvel of magic and machinery, Sophie becomes entangled in a whirlwind of adventure. Alongside a fire demon, an enchanted scarecrow, and other quirky companions, Sophie faces mystical challenges and an impending war, all while uncovering secrets about Howl and finding her own inner strength.
Approaching "Howl's Moving Castle" with an open mind, I was immediately captivated by its visual splendor. The animation is rich and detailed, bringing to life a fantastical realm where magic coexists with steampunk aesthetics. The moving castle itself is a marvel—a mechanical behemoth that captures the imagination with its intricate design and lifelike movement. The musical score complements the visuals beautifully, enhancing the enchanting atmosphere that Studio Ghibli is renowned for.
Yet, beneath this stunning exterior lies a story that struggles to find its footing. Sophie’s transformation into an elderly woman set up a fascinating premise, but her journey felt emotionally flat. She adapts to her situation with a surprising lack of urgency, and her interactions with others lacked the emotional depth needed to anchor her character arc. When she became Howl’s cleaning lady, the story started feeling scattered and confusing, with plotlines that seemed to drift apart without ever fully coming together. By the end, I had to look up a summary just to make sense of what was going on.
Howl, the enigmatic wizard, was equally underwhelming. Introduced with an air of mystery, his character arc never truly developed. Hints of his internal struggle were present but remained surface-level and under explored. The romance between Howl and Sophie felt rushed and shallow, with no real development to justify their sudden connection. It was hard to see why they would be drawn to each other, especially since their interactions were so limited. Instead, I found myself more invested in supporting characters like Calcifer, the fire demon powering the castle, and Turnip Head, the scarecrow with an affinity for Sophie.
The introduction of the anti-war subplot was one of the most jarring elements of the movie. It seemed to appear out of nowhere, with little explanation or context as to why it was happening or how it connected to the main characters' journeys. Rather than enriching the story, the war felt like an unnecessary distraction that disrupted the flow and tone of the film. Unlike other Ghibli works where conflict is woven naturally into the narrative, this subplot felt forced, adding complexity without offering any meaningful contribution to the characters or their development.
In the end, “Howl’s Moving Castle” was a visually stunning but narratively fragmented experience. While I wanted to connect with the film on a deeper level, the fragmented plot, lackluster character development, and confusing anti-war elements made it hard to stay engaged. The movie excelled in aesthetics, but ultimately, it left me feeling underwhelmed.
Final Score: 6/10
Plot - 6
Protagonists - 6
Supporting Cast - 6
Genre - 6
Art, Animation, and Character Design - 8
Music, Sound Design, and Voice Acting - 7
Looking Ahead
Fall is shaping up to be a relatively light season for me, which is great because I’m still in the process of editing my vlogs from Anime NYC and Hololive Breaking Dimensions plus a personal goal that will take up most of my time until mid November. I’ll do my best to avoid spoilers, but these are the six shows I plan on keeping up with next season.
365 Days to the Wedding (Ashi Productions)
Blue Box (Telecom Animation Film)
TsumaSho (Studio Signpost)
You are Ms. Servant (Felix Film)
Seirei Gensouki: Spirit Chronicles (Season 2) (TMS Entertainment)
I have heightened expectations for both “Blue Box” and “Tying the Knot with an Amagami Sister” given how much source material readers have been hyping them up in the pre-season. Needless to say that I am cautiously optimistic. If I didn’t already watch season 1 of “Spirit Chronicles,” I probably wouldn’t be watching it. The show was one of the first seasonals I picked up during the pandemic, so I have a strange fondness for the series. The preview I saw looked really good, so I’m kinda excited!
Unfortunately, I will not be watching season 3 of “Re:ZERO” since the second half of season 2 is still on my backlog. Though because season 3 is split in a weird way, I should be able catch up before the second half of season 3 airs. Keyword: should.
Make sure to follow me on Twitter/X and Instagram for updates, and subscribe to my YouTube channel to be notified when my ANYC/Hololive Breaking Dimensions vlogs are out!
And that’s all folks! If you’ve watched or end up watching any of the shows I reviewed, let me know on social media! I’m always down to talk anime, and I’d love to hear your thoughts. Until next season! See ya around!